From Wikipedia, the free encyclopedia
|Diary of a Madman|
|Directed by||Reginald Le Borg|
|Produced by||Robert E. Kent|
Edward Small (uncredited)
|Written by||Robert E. Kent|
|Based on||stories by Guy de Maupassant, including The Horla|
|Music by||Richard LaSalle|
|Cinematography||Ellis W. Carter|
|Edited by||Grant Whytock|
Robert Kent Productions/Admiral Pictures
|Distributed by||United Artists|
The screenplay, written by producer Robert Kent, is an adaptation of Guy de Maupassant's two short stories "Le Horla" ("The Horla"), written in 1887, and "Un fou" ("The Diary of a Madman"), written in 1885. Kent's rendition is notably divergent from the source material, especially in relation to the religious and moral themes of the film, which contradict not only those of the short story, but de Maupassant's as well. The distinctive manner in which the Horla in the story lives on water and milk is dispensed with in the movie.
Following the funeral of Simon Cordier (Vincent Price), a French magistrate and amateur sculptor, his secret diary is read out by Simon's pastor friend to a group of people gathered around the table, Simon's servants, and a police captain. The diary reveals that Simon has come into contact with a malevolent entity. The invisible yet corporeal being, called a horla, is capable of limited psychokinesis and complete mind control. It is implied that Cordier's particular horla is one of a whole race of evil beings which devote themselves to driving humans insane.
Cordier first interacts with the horla when he meets a prisoner whom the entity drove to murder four people. The horla possesses the inmate and attempts to kill Cordier, who in self-defense accidentally kills the man. The magistrate inherits the prisoner's troubles as the horla turns its hauntings toward him.
As the horla begins to destroy Cordier's life, he fears he is going mad and seeks help from an alienist, who suggests that he take up a hobby. Cordier chooses to pick up his old interest in sculpture, meeting a model along the way. The model, Odette Malotte, is already married, but claims to love Cordier and he pledges his love to her in turn. The horla insists the model is not the charming jewel that Cordier sees, but instead a conniving gold-digger, and compels Cordier to treat her as such. This sets up a conflict in Cordier, that he might not be the astute judge of character that his title indicates.
In an episode of insanity, Cordier murders Odette with a knife. Her decapitated body is found in the river, but her husband (not Cordier) is blamed for the crime. As his and others' lives are put in jeopardy, he becomes convinced of the horla's existence and decides drastic measures are needed to end its evil. He lures the horla into his house at night. When his presence is felt, Simon hurls an oil lamp towards the curtains, setting the house ablaze. Simon succeeds in destroying the horla, but not without sacrificing himself as the house burns in flames.
The film concludes with the people seated around the table after reading Simon's diary. Some believe Simon was mad and that the horla does not exist, others are unsure and believe that the horla might have existed. The priest's opinion is that wherever evil exists, the horla exists.
- Vincent Price as Simon Cordier
- Nancy Kovack as Odette Mallotte DuClasse
- Chris Warfield as Paul DuClasse
- Elaine Devry as Jeanne D'Arville
- Ian Wolfe as Pierre, Cordier's Butler
- Stephen Roberts as Captain Robert Rennedon
- Lewis Martin as Fr. Raymonde
- Mary Adams as Louise, Cordier's Cook
- Joseph Ruskin as The Horla (voice)
- Don Brodie as Marcel the Postman
The movie was originally entitled The Horla. Filming started 18 July 1962. Director Reginald Le Borg said he wanted the voice of the horla to come out distorted, but producer Edward Small wanted it to sound clear, which the director thought was a mistake.
- "Movie Review – 'Diary of a Madman'". The New York Times. Retrieved 24 March 2016.
- Scott, John L. (July 17, 1962). "'Brothers Grimm' Has World Preview: First Dramatic Production Shown on Cinerama Screen". Los Angeles Times. p. C7.
- MURRAY SCHUMACH Special to The New York Times (July 9, 1962). "M.C.A. WILL DROP ITS TALENT OFFICE: Hollywood Giant Complying With Rule on Producers". The New York Times. p. 34.
- Article on Diary of a Madman at Turner Classic Movies accessed 9 June 2013
- "Diary of a Madman (1963) – Reginald Le Borg". AllMovie. Retrieved 24 March 2016.
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.