Brazil (1985 film)
1985 film by Terry Gilliam / From Wikipedia, the free encyclopedia
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Brazil is a 1985 science-fiction dystopian black comedy film[9][10] directed by Terry Gilliam and written by Gilliam, Charles McKeown, and Tom Stoppard. The film stars Jonathan Pryce and features Robert De Niro, Kim Greist, Michael Palin, Katherine Helmond, Bob Hoskins, and Ian Holm.
Brazil | |
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Directed by | Terry Gilliam |
Screenplay by |
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Produced by | Arnon Milchan |
Starring | |
Cinematography | Roger Pratt |
Edited by | Julian Doyle |
Music by | Michael Kamen |
Production companies |
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Distributed by |
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Release dates |
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Running time | 142 minutes[5] |
Countries | |
Languages | English French German |
Budget | $15 million[7] |
Box office | $9.9 million (US)[nb 1][8] |
The film centres on Sam Lowry, a low-ranking bureaucrat trying to find a woman who appears in his dreams while he is working in a mind-numbing job and living in a small apartment, set in a dystopian world in which there is an over-reliance on poorly maintained (and rather whimsical) machines. Brazil's satire of technocracy, bureaucracy, hyper-surveillance, corporate statism, and state capitalism is reminiscent of George Orwell's 1949 novel Nineteen Eighty-Four,[11][12][13] and it has been called Kafkaesque[14] as well as absurdist.[13]
Sarah Street's British National Cinema (1997) describes the film as a "fantasy/satire on bureaucratic society", and John Scalzi's Rough Guide to Sci-Fi Movies (2005) describes it as a "dystopian satire". Jack Mathews, a film critic and the author of The Battle of Brazil (1987), described the film as "satirizing the bureaucratic, largely dysfunctional industrial world that had been driving Gilliam crazy all his life".[15] Despite its title, the film is not about the country Brazil nor does it take place there; it is named after the recurrent theme song, Ary Barroso's "Aquarela do Brasil", known simply as "Brazil" to British audiences, as performed by Geoff Muldaur.[16]
Though a success in Europe, the film was unsuccessful in its initial North American release. It has since become a cult film. In 1999, the British Film Institute voted Brazil the 54th greatest British film of all time. In 2017, a poll of 150 actors, directors, writers, producers, and critics for Time Out magazine saw it ranked the 24th best British film ever.[17]