Miroslav Krleža
Croatian writer / From Wikipedia, the free encyclopedia
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Miroslav Krleža (pronounced [mǐrɔ̝slav̞ kř̩le̞ʒa]; 7 July 1893 – 29 December 1981) was a Yugoslav and Croatian writer who is widely considered to be the greatest Croatian writer of the 20th century.[2][3][4][5] He wrote notable works in all the literary genres, including poetry (Ballads of Petrica Kerempuh, 1936), theater (Messrs. Glembay, 1929), short stories (Croatian God Mars, 1922), novels (The Return of Philip Latinowicz, 1932; On the Edge of Reason, 1938), and an intimate diary. His works often include themes of bourgeois hypocrisy and conformism in Austria-Hungary and the Kingdom of Yugoslavia.[6] Krleža wrote numerous essays on problems of art, history, politics, literature, philosophy, and military strategy,[7] and was known as one of the great polemicists of the century.[8] His style combines visionary poetic language and sarcasm.[9]
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Miroslav Krleža | |
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Born | (1893-07-07)7 July 1893 Zagreb, Croatia-Slavonia, Austria-Hungary |
Died | 29 December 1981(1981-12-29) (aged 88) Zagreb, SR Croatia, Yugoslavia |
Occupation | Novelist, playwright, poet, philosopher, essayist, cultural critic |
Language | Croatian |
Nationality | Croat |
Period | 1915–1977 |
Literary movement | Expressionism, Socialist realism |
Notable works | Messrs. Glembay Croatian God Mars The Ballads of Petrica Kerempuh The Return of Philip Latinowicz The Banquet in Blitva The Banners |
Spouse | Leposava "Bela" Kangrga[1] |
Krleža dominated the cultural life of Croatia and Yugoslavia for half a century.[6] A "Communist of his own making",[7] he was criticized in Communist circles in the 1930s for his refusal to submit to the tenets of socialist realism. After the Second World War, he held various cultural posts in Socialist Yugoslavia, and was most notably the editor of the Yugoslav Lexicographical Institute and a constant advisor on cultural affairs to President Tito. After the break with Stalin, it was his speech at the 1952 Congress of Yugoslav Writers that signaled a new era of comparative freedom in Yugoslav literature.[10]