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|Pirates of Monterey|
|Directed by||Alfred L. Werker|
|Written by||Sam Hellman|
Margaret Buell Wilder
|Based on||story by Edward Lowe|
|Produced by||Paul Malvern|
|Cinematography||W. Howard Greene|
|Edited by||Russell F. Schoengarth|
|Music by||Milton Rosen|
|Distributed by||Universal-International Pictures|
It is 1840 and California is ruled by the Mexican government. Kent is transporting rifles from Mexico City to California to be used by soldiers there. Wealthy aristocrat Marguerita Novarro and her maid are rescued by Phillip Kent when their carriage breaks loose.
The women hide and ride with Kent's caravan to Santa Barbara. Although she is wealthy and can pay, Kent says he will forego any remuneration from Marguerita in exchange for the first dance at a festival. As love blossoms, they continue north to Monterey with the caravan, where Kent is reunited with an old friend, Lt. Carlos Ortega, only to learn that Ortega is engaged to be married to Marguerita.
An attack by Royalists leaves Ortega seriously injured. Manuel De Roja is taken prisoner by Kent and turned over to one of Ortega's men, but the officer in charge turns out to be Manuel's own brother, Major De Roja.
Now in love, Marguerita and Kent try to leave Monterey together but are captured by De Roja's men. A jealous Ortega searches and is also taken captive, but after an escape, Kent kills De Roja in a battle with swords. Mexico's soldiers rout the royalists, and a grateful Ortega gives his blessings to Marguerita and Kent.
Rod Cameron had impressed Universal with his performance opposite Yvonne De Carlo in Salome, Where She Danced and the studio wanted to put him in a similar technicolor film with Maria Montez. This was meant to be Frontier Gal but Montez refused to make the movie and went on suspension. De Carlo acted opposite Cameron instead.
The Chicago Tribune wrote that "With the exception of sprightly little Mikhail Rasumny, who contributes a bit of comedy occasionally, this film is dull business, peopled by elaborately costumed but expressionless characters."
The Los Angeles Times said the film "doesn't, by any stretch of the imagination, class as an "epic", but it is beautifully photographed in Technicolor and contains enough fightin', feudin', and fussin' to satisfy fans of shoot-'em-up cinema fare."
The New York Times claimed "the script for this rawhide romance was obviously ground out mechanically by an old typewriter on the Universal lot, set for 200 pages, while the writers played gin or slept. And the gent who is credited as director—Alfred Werker, who also has been around—plainly fulfilled his assignment in the same tired, mechanical way."
Universal were reportedly so pleased with Philip Reed's performance they offered him a seven-year contract at one film a year.
- Pirates of Monterey at Mariamontez.org
- Schallert, Edwin (Apr 2, 1945). "Special Story to Star Finds Lorring and Dall". Los Angeles Times. p. A2.
- "NEWS OF THE SCREEN: Fred MacMurray Set for 'Guerrilla in Philippines'-- Loew's Houses to Show Special Short V-E Day". New York Times. Apr 17, 1945. p. 32.
- Schallert, Edwin (June 3, 1945). "Yvonne De Carlo Stands Out Again as 'Threat Girl': Carroll Cutie Has Spotlight in Sarong Set Yvonne De Carlo Causes Concern in Sarong Circles". Los Angeles Times. p. B1.
- "MONTEZ, CAMERON TO CO-STAR IN FILM: Named for Leads in 'Pirates of Monterey' at Universal, to Be Done in Technicolor". New York Times. Apr 2, 1946. p. 23.
- Schallert, Edwin (Apr 11, 1946). "Gail Russell Borrowed for 'Angel' Portrayal". Los Angeles Times. p. A2.
- "Movie Gets All Dressed Up but Goes No Place: "PIRATES OF MONTEREY" THE CAST" Tinee, Mae. Chicago Daily Tribune 19 Nov 1947: 33.
- "Pirates of Monterey' Old California Thriller" Scott, John L. Los Angeles Times 17 Dec 1947: A9.
- Review of film at New York Times
- "'Pirates of Monterey'" M.M.. The Christian Science Monitor 16 Jan 1948: 4.
- Schallert, Edwin (Dec 25, 1947). "DRAMA AND FILM: Zanuck Accumulating New Italian Sparklers". Los Angeles Times. p. A11.
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