Roland Barthes
French philosopher and essayist / From Wikipedia, the free encyclopedia
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Roland Gérard Barthes (/bɑːrt/;[2] French: [ʁɔlɑ̃ baʁt]; 12 November 1915 – 26 March 1980)[3] was a French literary theorist, essayist, philosopher, critic, and semiotician. His work engaged in the analysis of a variety of sign systems, mainly derived from Western popular culture.[4] His ideas explored a diverse range of fields and influenced the development of many schools of theory, including structuralism, anthropology, literary theory, and post-structuralism.
Roland Barthes | |
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Born | Roland Gérard Barthes (1915-11-12)12 November 1915 Cherbourg, France |
Died | 26 March 1980(1980-03-26) (aged 64) Paris, France |
Education | University of Paris (BA, MA) |
Notable work | Writing Degree Zero (1953) Mythologies (1957) The Death of the Author (1967) |
Era | 20th-century philosophy |
Region | Western philosophy |
School | Continental philosophy Structuralism Semiotics Post-structuralism |
Institutions | École des Hautes Études en Sciences Sociales Collège de France |
Main interests | Semiotics (literary semiotics, semiotics of photography, comics semiotics, literary theory), narratology, linguistics |
Notable ideas | texte Lisible vs texte texte scriptible Structural analysis of narratives[1] Effect of reality |
Signature | |
Barthes is perhaps best known for his 1957 essay collection Mythologies, which contained reflections on popular culture, and the 1967/1968 essay "The Death of the Author," which critiqued traditional approaches in literary criticism. During his academic career he was primarily associated with the École des Hautes Études en Sciences Sociales (EHESS) and the Collège de France.