William Rothman
American film theorist and critic / From Wikipedia, the free encyclopedia
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William Rothman (born June 25, 1944) is an American film theorist and critic. Since receiving his Ph.D. in philosophy from Harvard University in 1974, he has authored numerous books, including Hitchcock: The Murderous Gaze (1982), The “I” of the Camera: Essays in Film Criticism, History and Aesthetic (1988), and Tuitions and Intuitions: Essays at the Intersection of Film Criticism and Philosophy (2019).[1] He was "part of a modern wave of thinkers to apply questions of philosophy to the medium of movies"[2] during the 1980s, and his work contributed to the emergence of the sub-discipline that has come to be known as “film-philosophy.”[3] Rothman has also written on aspects of film theory and on the writings of Stanley Cavell, an American philosopher who made film a major focus of his work.[2][4][5] He is currently Professor of Cinematic Arts in the School of Communication at the University of Miami.[6]
This biographical article is written like a résumé. (November 2021) |